When Ines, a young woman from the city, returns to the remote hills of Portugal, she is overwhelmed with grief. Her mother has disappeared, and she contemplates the possibility that she might be dead, a victim of the flames. But Ines quickly senses that something isn’t right. She turns to her father, an adventurous outdoorsman living off the grid. He blames the paper industry for the disaster and vows to fight for justice. For Ines, this loss echoes past traumas. Her goal is to help her father heal by supporting his pursuit of justice and to find her own place within the fractured family history. But she soon realises her father also harbours secrets.
The story revolves around the fault line between father and daughter. At first, Ines regards him as a hero and an ally in the fight against the industry. But cracks appear. His charisma and strength hide a bitter truth: he loved his wife deeply, yet ultimately agreed to her wish for a self-chosen death, following her mental breakdown triggered by a spiritual ritual. He carries this as both an act of love and betrayal.
His greatest fear is that Ines will uncover the truth and see him not as a loving husband, but as a traitor.
A Belgian criminology student, analytical and sceptical. Raised in the city, she is unprepared for the close-knit social codes of the rural community. Her investigation becomes personal when suspicion shifts towards her own father.
Lives simply in the hills, close to nature. Distrustful of institutions, he keeps his campaign against the paper industry quiet. Gains sympathy from being ignored by authorities — and uses it.
A solitary man, regarded as unstable by the villagers. Accused of starting the fire, he is both victim and pawn.
Deeply tied to the land, a spiritual guide to some and a dangerous influence to others. Carries the burden of her role in the mother’s final days.
Knows the truth about the evacuation error but helped bury it. Torn between self-preservation and the need to act.
The Industry’s representative: The Puppet master pulling the strings from a comfortable office. He’s the guardian of the industry’s interests and reputation until this industry kills the only woman he ever loved.
Vasco, a young Canadair pilot from a local family, fights fires as his silent protest against the system. Burdened by secrets, he fell in love with Inès at first sight and anonymously sends her clues, knowing the truth of what happened.
She is remembered as artistic and sensitive, yet she always felt unseen in her isolated region. Her deepest fear was that her talents would go unrecognised. A ritual organised by Alma, the housekeeper, only deepened her belief that she was possessed by the devil.
Some saw her as a victim, while others labelled her hysterical. For Paul, a lawyer and fixer in the paper industry, she was a past lover he couldn’t forget. His position, however, forced him into silence about their affair.
The story unfolds as a six-part miniseries:
Ines returns to Portugal, supports her father in his fight against the paper industry, but senses the first cracks in his story.
Together they confront the industry; Ines meets the community and witnesses divided loyalties.
Memories and other voices reveal a darker, more complex portrait of her stepmother.
Alma, Manuel, and the inspector reveal fragments of truth; Ines begins to realise her father is hiding something.
Ines discovers her father consented to the mother’s self- chosen death; love and betrayal are intertwined.
The industry proves untouchable; the mother’s death is revealed as a web of human weakness and desire. Ines must confront her father – and her own grief – knowing the truth will never be completely pure.
Lieven Van Baelen is an award-winning director and cinematographer working across feature films, short films, and select commercial projects.
With a background in colour grading, his work is defined by a precise visual language and a strong sensitivity to emotion and light.
Julien Paschal is an award-winning Belgian actor, musician, and sound designer.
Trained in Barcelona, he performs with restraint, rhythm, and profound emotional clarity. His screen work includes Berlin (Netflix) and Alejandro Amenábar’s The Captive.